Eva Shevkoplyas works through Olesya Skvortsova's studio editorial with the same composed, unreadable expression in every composition, and it's the right move. The styling, by Anastasia Melkina, holds its own. A grey ribbed cardigan tied loosely at the chest opens and closes across multiple frames, reading differently each time depending on how much skin it reveals and how Skvortsova chooses to light it. A sheer white matching set goes near-transparent against the window. A pleated mini skirt with a leather belt and buckled Mary Janes is the most commercial look in the set and the strongest color frame.
The studio itself is bare and institutional — white walls, grey floor, venetian blinds, old radiators — and Skvortsova embraces it. She doesn't dress the space or try to warm it up. The black-and-white frames lean into that starkness while the handful of color shots let the knitwear and the sheer fabric register on their own terms. Sculptural earrings are the only accessories across the entire sequence and they're doing enough. The last portrait has Shevkoplyas on her back, eyes down, hair fanning across the cold floor.
If the work here means something to you, consider donating or subscribing.
