Anna lies on her back looking up at the camera with hands tucked under her head, wearing a cream knit cardigan over a lace-trimmed camisole, photographed by Svetlana Latyshko.
Anna sits on the floor in profile with her knees pulled up, looking back over her shoulder in an open cream cardigan, photographed by Svetlana Latyshko.
Anna sits against a wall with her knee drawn up in a lace-trimmed camisole, cardigan and white briefs, looking up and away from the camera, photographed by Svetlana Latyshko.
Anna lies on her side on the floor with her head resting on her arm, looking at the camera in a cream cardigan and white briefs, photographed by Svetlana Latyshko.
Anna lies on her back with her hair fanned across the floor, looking up, in a lace-trimmed camisole and cream cardigan, photographed by Svetlana Latyshko.

Svetlana Latyshko works in milky pastels: cream and oat with a touch of pink, the walls reading slightly green, the highlights blown soft. She teaches color grading to other photographers as part of her work in Moscow, where she also shoots commercially for brands. The palette in this set is very much intentional.

Anna is photographed in one look — an open knit cardigan over a lace-trimmed camisole, white briefs, bare legs, hair undone. She stays on the floor whether flat on her back or sitting upright, leaned back.

One shot breaks from the rest in black and white. Without the milky tones, the picture reads as a different shoot entirely. Anna barely moves and the shoot is better for it.

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